Oct 31, 2018
(October 31st, 2018) Buffalo, New York – Buffalo Dreams Fantastic Film Festival, a multi-genre event rated “one of the top 100 best reviewed film festivals” on the submission platform FilmFreeway, returns to Dipson Theatres Eastern Hills Cinema Friday, Nov. 2nd and runs through Thursday, Nov. 8th. The festival spotlights the best independent horror, science fiction, fantasy, action and animated films from around the world, with many out of town filmmakers attending screenings and holding Q&A sessions.
See local filmmaker Sam Qualiana’s comedy Post Apocalyptic Commando Shark (Fri, 11/2, 9 pm)
Now in its sixth year, Buffalo Dreams will screen 102 films: 22 features and 80 shorts. Some opening weekend highlights include the world premiere of local filmmaker Sam Qualiana’s comedy Post Apocalyptic Commando Shark (Fri, 11/2, 9 pm); young Niagara Falls filmmaker Hope Muelhlbauer’s anti-bullying slasher film I Dare You To Open Your Eyes (Sat, 11/3, 12 pm); and festival co-director Gregory Lamberson’s teen horror film Johnny Gruesome (Sat, 11/3, 7 pm). Black Fawn Films (Bite) returns with the critically acclaimed horror film I’ll Take Your Dead (Fri, 11/2, 6:45 pm). Other post-Halloween horrors include the ghost story The Child Remains (Sat, 11/3, 9:30 pm); the Canadian vampire opus Red Spring (Sun 11/4, 7 pm); and the gory Spanish home invasion tale Framed (Sun 11/4, 9 pm). A Thanksgiving home invasion feature, Derelicts (Mon, 11/5. 9:20 pm), will be presented by its writer and director, Brett Glassberg.
See festival co-director Gregory Lamberson’s teen horror film Johnny Gruesome (Sat, 11/3, 7 pm)
Among the more unusual fare are the live action/animated hybrid The Next Kill, which has its US premiere Sat 11/3 at 2:30 pm; local filmmaker Mick O’Keefe’s experimental thriller Will o’ the Wisp (Mon, 11/5, 7 pm); the musical drama Tommy Battles the Silver Sea Dragon (Tuesday, 11/6, 7 pm); and Mickey Reece’s experimental thriller Strike, Dear Mistress, and Cure His Heart, which screens twice (Sun, 11/4, 5:15 pm; Wed, 11/7, 3 pm). Eullenia, a thriller filmed in Bangkok, is the Dexter-like story of a wealthy UK banker (Alex Newman) who is also a serial killer who preys upon desperate teenage girls.
The festival’s Dreamer Awards presentation will be held Sun, 11/4, 5 pm in the WBBZ TV studio, located in the mall, and is open to the public. In addition to competition awards, several Special Awards will be presented. Canadian filmmaker Brett Kelly, whose film noir Murder in High Heels screens Sunday, 11/4 at 12:30 pm, has been named Filmmaker of the Year. Sophia Cacciola and Michael J. Epstein, who collaborated on the horror satire Clickabit (Sat, 11/3, 4:30 pm), will receive the Lois Weber Award and the Dedication to Excellence in Independent Filmmaking Award, respectively. And Sam Qualiana will receive the Indie Genre Spirit Award.
Admission follows Dipson’s regular prices, including bargain matinees and Discount Tuesdays. Day Passes ($20) and All Festival Passes ($70) are available at the Eastern Hills Cinema box office. Advance tickets are available at www.dipsontheatres.com.
For more information and a complete schedule: http://www.buffalodreamsfantasticfilmfestival.com
Oct 3, 2018
(October 3rd, 2018) The Buffalo International Film Festival (BIFF), a 501 (c) (3) nonprofit film festival serving Western New York starts this Friday. Highlights include the opening night film Christina Kallas’ The Rainbow Experiment, the Closing Night presentation of Adam Linkenhelt and Pat McGee’s American Relapse, and the World Premiere of Niagara Falls-lensed The Rainbow Bridge Motel. In addition, BIFF is pleased to present Western New York premieres of Sundance, South By Southwest, Cleveland and Slamdance award winners The Sentence, Thunder Road, Manry at Sea, and MexMan respectively. Tickets are on sale now at buffalofilm.org.
New for programming for 2018 includes independent episodics as well as a new student block highlighting emerging Western New York talent. Additionally BIFF includes special events – free industry panels and a special performance by pioneering experimental filmmaker and musician Michael Snow.
This year the Buffalo International Film Festival will screen more than 125 films from 22 countries. Venues include the North Park Theatre (1428 Hertel Avenue, Buffalo 14216), Hallwalls Contemporary Art Center (341 Delaware Avenue, Buffalo 14202), Squeaky Wheel Film and Media Art Center (617 Main Street, Buffalo 14203), and Burchfield Penney Art Center (1300 Elmwood Avenue, Buffalo 14222).
“Our twelfth annual festival again includes acclaimed films from around the world as well as from around the region. This year we’re proud to deepen our commitment to cinephiles as well as the growing Western New York film industry through the expansion of our local and student programming lines,” said Interim Executive Director John J. Fink.
“BIFF returns offering an inclusive survey of creative works from around the world and region highlighted by our new episodic programs. To cap off this new programing section we close the festival with a screening of the timely American Relapse – the basis for an upcoming Viceland series – as we continue the vital conversation about the evolution of cinematic storytelling through the development of new platforms.“ said Festival Director Tilke Hill.
Tickets including BIFF’s all-access Bison Pass for only $39.99 (until October 5). The full line-up including screenings, confirmed guests and free panels is available at buffalofilm.org/lineup. Individual screening tickets are $12 with matinee pricing available for the first show of the day on Friday and Monday. Youth programs hosted at Squeaky Wheel and panels are free to attend.
A full description of films, events and attending guests is available at buffalofilm.org
HIGHLIGHTS INCLUDE:
● OPENING NIGHT FILM: The Western New York Premiere of The Rainbow Experiment, directed by Christina Kallas (filmmaker in attendance) with the World Premiere of See It Through Buffalo, directed by Gregory Delaney
● CLOSING NIGHT FILM: The New York Premiere of American Relapse, directed by Pat McGee & Adam Linkenhelt (filmmakers in attendance)
● SPOTLIGHT ON LOCAL PRODUCTIONS: The World Premieres of The Rainbow Bridge Motel, directed by J. Garrett Vourretter & Scott Rubin; Learnings From Buffalo directed by Rima Yamazaki; and the New York premiere of The Geometry of Desire, directed by David R. Williams (filmmakers in attendance for all screenings)
● FESTIVAL FAVORITES: The Western New York premieres of Thunder Road (Narrative Grand Jury Prize Winner, SXSW), The Sentence (Documentary Audience Award Winner, Sundance), Manry at Sea (Hometown Heros Competition Winner, Cleveland Film Festival), as well as: Friday’s Child, Relaxer, Lullaby Killer, Field Guide to Evil, Pet Names, When She Runs, Radium Girls, The Guardians, Dawnland, One Bedroom and more.
● ED SUMMER FILM HISTORY SHOWCASE: New York Premiere of MexMan (Honorable Mention, Documentary Feature Award, Slamdance), directed by Josh Polan, with – presented in memory of the late founder of BIFF, Edward Summer.
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FULL LINEUP:
BIFF Opening Night Gala – Friday, October 5, 7:15PM – North Park
· The Rainbow Experiment (Christina Kallas)
BIFF Closing Night Gala – Monday, October 8, 7:00PM – North Park
· American Relapse (Adam Linkenhelt & Pat McGee)
BIFF Ed Summer Film History Showcase – Monday, October 8, 4:15PM – Hallwalls
· MexMan (Josh Polon) – Monday, October 8, 2:15PM – Hallwalls
BIFF Regional Centerpiece – Sunday, October 7, 7:30PM – North Park· Rainbow Bridge Motel (Scott Rubin & J. Garrett Vorreuter)
BIFF City Centerpieces
· Learning from Buffalo (Rima Yamazaki) – Sunday, October 7, 11:00am – Burchfield Penney
· Geometries of Desire (David Williams) – Saturday, October 6, 3:00pm – Squeaky Wheel
BIFF Night Fever: Genre Programing
· Black Site (Tom Paton)
· Field Guide to Evil (Veronika Franz, Severin Fiala, Peter Strickland, Agnieszka Smoczynska, Katrin Gebbe, Can Evrenol, Calvin Reeder, Ashim Ahluwalia, Yannis Veslemes)
· Nina (Marc Gobel)
· Relaxer (Joel Potykus)
BIFF Studio of the Streets: Documentary Features
· Antone’s Ark (Matthieu Rytz)
· Chasing Portraits (Elizabeth Rynecki)
· Dawnland (Adam Mazo & Ben Pender-Cudlip)
· Go Gentle (Steve Rosenthal)
· The Guardians (Billie Mintz)
· Manry at Sea (Steve Wystrach)
· Modified (Aube Giroux)
· My Tourette’s (Alessandro Molatore)
· Playing Frisbee in North Korea (Savanna Washington)
· The Providers (Anna Moot-Levin & Laura Green)
· The Sentence (Rudy Valdez)
BIFF Global Narratives
· Dominee Tienie (Sallas de Jagar)
· The Foundation of Criminal Excellence (Oskars Rupenheits)
· Lullaby Killer (Krysztof Lang)
· Octav (Serve Ioan Celebidachi)
BIFF Domestic Narratives
· About a Donkey (Christina Raia)
· Caretakers (George Loomis)
· Friday’s Child (A.J. Edwards)
· One Bedroom (Darien Sills-Evans)
· Pet Names (Carol Brandt)
· The Manhattan Front (Cathy Lee Crane)
· Thunder Road (Jim Cummings)
· Radium Girls (Ginny Mohler & Lydia Pilcher)
· When She Runs (Robert Machoian & Rodrigo Ojeda-Beck)
SHORTS:
Short Films & Episodic Programs
· BIFF Episodic: Comedy
A hilarious celebration of character-driven, episodic storytelling.
· BIFF Episodic: Workplaces
Multi-arc storytelling goes to work in this collection of drama and sci-fi episodes.
· BIFF Shorts: Past is Present
Comedies, dramas and thrillers where past and present, on and off screen clash.
· BIFF Shorts: Experimental
BIFF proudly presents a dynamic lineup of abstract expression, filmic essays and unique perspectives.
· BIFF Shorts: Global
Highlighting exciting short filmmaking from around the world, BIFF Shorts: Global offers a diverse lineup of narrative shorts from the Brazil, France, Russia, Portugal, Kosovo, and Puerto Rico.
· BIFF Shorts: New York States
From “upstate” to “downstate” – stories that could only happen in New York.
· BIFF Shorts: Local Youth
BIFF proudly presents a selection of shorts created by Buffalo youth and inspired by their city and surroundings, curated by Squeaky Wheel Film & Media Arts Center.
· BIFF Shorts: Danger Zone
The weird and wild side is back – a collection of dark comedies, sci-fi and horror from local and domestic filmmakers.
· BIFF Shorts: WNY
Celebrating diverse stories and storytellers from Western New York.
· BIFF Shorts: Next Chapters
Global and domestic narratives about rolling with the punches, reinvention and moving on.
· BIFF Shorts: Students
A celebration of emerging voices from around the region.
· BIFF Shorts: Before the Movie
Before select feature films enjoy curated shorts to complement the feature.
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Buffalo International Film Festival (est. 2006) champions regional, national, and international films that push the limits of independent cinema – presenting quality films from around the world to WNY residents and visitors. BIFF is committed to amplifying diverse voices and exhibiting cutting-edge programming in narrative, documentary and experimental film. A proud supporter of local filmmaking, BIFF also offers workshops, seminars, industry panel discussions, fiscal sponsorship and professional development opportunities. Our Core values include: Artistry, Community Collaboration, Education & Engagement, and Diversity & Inclusion – We celebrate the diversity of our community through programming and community partnerships that reflect and represent the rich and eclectic cultural fabric of WNY.
Jun 19, 2018
(June 19th, 2018) The next feature shooting in Buffalo this July is Bashira, directed by Nickson Fong. About an electronic musician and an aspiring singer that is haunted by nightmares and visions that begin to intrude on their waking lives, prompting them to embark on parallel journeys in search of answers.
The film will be hosting a open casting call to audition for the film this Sunday, June 24th, 2018 at the Park School Auditorium, 4625 Harlem Rd, Buffalo, NY 14226 from 12pm to 5pm. Free parking available. The auditions are open to both SAG-AFTRA members and non-union actors. Please bring your head-shot, resume, and your audition sides (link below).
The casting department is also seeking background extras for the film, people of all ages and all ethnicities, with a special focus on Asian ethnicities. For interest in being an extra please email: Bashiraextrascasting@gmail.com
The casting notice for the Day-player roles are as listed below:
[DANI] 28 to 35 years old, Caucasian, female. Very attractive and fashionable, she’s an entitled gold digger who thinks the world revolves around her. She’s straight out of The Real Housewives of Beverly Hills. She married her current husband John for his money and is always battling his daughter Lela for supremacy of the household. She takes every chance she can get to put Lela in her place and let her know who is boss. She wants John all to herself so she can assert control.
[KARTER HUGHES] 18 to 23 years old, Caucasian, male. Handsome and physical, he’s your typical jock and frat boy bully. An athlete in high school, he thinks his muscular physique gives him the right to push around anyone smaller than him. He’s intimidating, and when he smells fear, it’s like a drug that makes him feel superior. He’s not afraid to use it to get what he wants.
[BILLY “DUTCH” GRANT] 18 to 23 years old, Caucasian, male, Handsome and physical, he’s cut from the same cloth as his best friend Karter. Typical pretty boy bully and all around jerk who uses physical intimidation to push people around.
[BRYNLEE VALLON] 18 to 23 years old, all ethnicities female. Attractive, entitled and stuck up, she’s one of the popular kids and she knows it. She zeroes in on people she considers weak and relishes in humiliating them. She flaunts what she’s got to either get what she wants or to show those who are beneath her what they’ll never have. The truth is, she’s insecure and only lashes out at people she doesn’t understand. She’s also just a straight up bitch, hanging out with like-minded “friends” who enable her worst habits and instincts.
[MICHIHISA] 13 to 17 years old, Asian, Male. Preferably of Japanese decent. (BENEFICIAL IF BILINGUAL, BUT NOT NECESSARY) Son of Kazuo, the head priest of Shimomura, he’s a follower, not a leader. Although he respects, and even fears the village customs, peer pressure is a stronger force of motivation. He follows the defiant Kenji to a taboo place in the forest and suffers a fate similar to his misguided friend.
[KENJI] 13 to 17 years old, Asian, Male. Preferably of Japanese decent. (BENEFICIAL IF BILINGUAL, BUT NOT NECESSARY) He’s a rebellious alpha who doesn’t have patience or reverence for the customs of his home village of Shimomura. He scoffs at their archaic beliefs and openly challenges the number one taboo in order to impress one of his lackeys and a girl he’s harassing (but secretly has a crush on). Unfortunately, he pays for his ignorance.
[MR. COATES] 65 to 75 years old, all ethnicities male. Crusty old building manager with an incontinence problem, he considers his tenants family. He’s stern with the rules, but if he likes you, he’s willing to bend them just a little. However, don’t think you can take advantage of him because he’ll eat you for breakfast.
[SHIN NGUYEN] 30 to 35 years old, Asian, Male. Club promoter and manager, not opposed to shady methods to keep his business going. He admires the passion Andy has for his music and craft, having watched him go from busboy to DJ opener. It’s because of the potential he sees in Andy that he’s willing to stick out his neck and try to help the kid succeed. He doesn’t do that for just anyone.
[EDWIN SOLOMON] 40 to 50 years old, all ethnicities male. Geeky by nature, his passion is taking old, discarded things and uncovering the treasures that they really are. He got it from his father, who opened up an antique shop when he was a little boy. Now the shop is his, and he finds no greater joy than helping someone find that rare item which makes their lives complete.
[SHARON MONROVIA] 45 to 55 years old, Caucasian female. Andy’s Mother is frail and sickly, no longer able to fully take care of herself. Very caring, but a fraction of what she once was, her memory is fading fast.
[YOUNG YOKO] 12 to 15 years old, Asian, Female. Preferably of Japanese decent. (BENEFICIAL IF BILINGUAL, BUT NOT NECESSARY) Chased by bullies.
[DRIVER] 45 to 65 years old, Asian, Male. Preferably of Japanese decent. (BENEFICIAL IF BILINGUAL, BUT NOT NECESSARY) A Loyal and caring chauffeur who witness’ the death of a friend.
[TEDDY GUNNER] 30 to 35 years old, all ethnicities male. Trendy hipster and EDM record producer, he has his finger on the pulse of underground nightlife. Instead of catering to pop stars, he prefers to find undiscovered raw talent and develop them from the bottom up. He thinks he can mold Andy into something with his guidance.
[PROFESSOR REI] 40 to 60 years old, Asian, Female. An expert in Eastern Culture, very eccentric, short and shout.
[LITTLE LELA] Preferably of Japanese decent. No dialogue. An innocent soul whom just witnessed the death of her mother.
[VILLAGE PRIEST], 40 to 70, male, Asian, Preferably of Japanese decent. MUST SPEAK JAPANESE / ALL DIALOGUE SUNG IN JAPANESE. (BENEFICIAL IF BILINGUAL) sings a Japanese prayer.
For access to the sides please visit the link below:
https://www.dropbox.com/sh/cjssl8m0bh3v6tm/AACcWaD6SPOZCNXaOnXbv5Jga?dl=0
