Feb 4, 2014
(February 4th, 2013) After searching the Northeast for an accommodating subway station, producer Roland Uruci and his crew from Dyrranchium Productions out of New York City, chose the Buffalo Metrorail to film their next feature “Subway Station”. This short form narrative directed by Dhimitri Ismailaj, tells the story of a father and son who face religious discrimination and violence while waiting for a subway train.
The cast and crew of “Subway Station” pose for a group shot after wrapping this past Sunday.
The shoot which took place Sunday, February 2nd at the Summer Best Station, relied on the support of Buffalo’s newest production company Filmkiln., as well as hiring many other talented Western New Yorker’s including the acting talents of Jason John Beebe who joined the New York City based cast. Filmkin. has scored post production duties for “Subway Station” in Buffalo as well. Look for “Subway Station” to premiere at top festivals this summer.
Jan 6, 2014
(January, 6th, 2014) For Nike SB’s latest line the “Lunar One Shot” released just this week, a production crew of over 50 descended on Buffalo’s Central Terminal, Colonel Ward Pumping Station, Silo City and other parts of Buffalo this past September to capture the this new line in action. An international multiple media roll out of the“Lunar One Shot” will be covered through TV, web, and print advertising, all of it shot in Buffalo focusing mainly on three of skateboarding’s biggest stars Shane O’Neill, Sean Malto, and Luan Oliveira with some special guests.
After previous Nike SB campaign shoots all over the world, for the Lunar One Shot Campaign, Buffalo beat out Berlin, Nike SB Producer/Project Manager and Buffalo Expat Ben Wall suggested the Central Terminal to the Nike SB Creative Director’s Damion Triplett, Michael Hernandez and Lead Designer Eric Lovejoy. A quick August scouting trip from Portland, the assistance of Central Terminal Restoration Corporation Executive Director Marilyn Rogers, and an extensive scout throughout the City of Buffalo with the Buffalo Niagara Film Office and Sunday Skates JP Gillespie, production was set for and completed on what turned out to be a beautiful late week in September.
(L-R: Nike SB Featured Professional Skate Boarder Sean Malto, Buffalo Mayor Byron Brown, Nike SB Global Marketing Manager Kasper Van Lierop, and Buffalo Native – Nike SB Producer/Project Manager Ben Wall on the Central Terminal Set)
Mayor Byron Brown continued his support for production in Buffalo with City owned location requests which included parts of the terminal and also the Colonel Ward Pumping Station. Rick Smith allowed filming at the always creatively buzzing Silo City. JP Gillespie gathered a hardworking crew to helped clean and prep the various sets around the city.
(L-R – 1st AC Jeremiah Pitman, 2nd AC Shannon Madden, and BB Grip Nick Earley set up a dolly shot with the Sony Phantom.)
Trish Phelan handled local Production Manager Duties, and Christi Allen served as Assistant Director for the extensive local crew that supported Portland’s AfterAll Productions Ike Martin and Jon Humphries as well as the entire Nike SB Creative Team. The “One Shot” Campaign was shot with two Arri Alexa’s and a Sony Phantom. Director of Photography was Greg Schmitt, with Buffalo’s Shannon Madden serving as a 2nd AC among others.
A hardy group of Nike SB Team Members made their way up to Niagara Falls State Park and the Cave of the Winds. Brazil’s Luan Oliveira leads the way.
Over 27 out of town crew members spent a week hitting Buffalo’s great cuisine at restaurants such as Mother’s, The Anchor Bar, The Black Rock Kitchen, Gabriel’s Gate, The Lodge, Allen Street Hardware, and others.
Along with the current segment featuring Australia’s Shane O’Neill, segments featuring Luan Oliveira starts in 3 weeks, and Sean Malto starting in March.
Nike SB Lunar One Shot – http://www.nike.com/us/en_us/c/skateboarding/lunar-one-shot
Nov 18, 2013
(November 18th, 2013) Buffalo Dreams Fantastic Film Festival will hold several “Best of Buffalo Dreams” nights at the Screening Room Cinema Café, 3131 Sheridan Drive, in the Northtown Plaza. The first year festival programmed 85 films from around the world over seven days: 26 features, 59 shorts, 27 international films and 13 local productions. Forty awards were handed out, including Dedication to Indie Excellence for Troma pioneer Lloyd Kaufman; the Indie Genre Spirit Award to cult filmmaker Albert Pyun; and Local Service Awards for Buffalo-Niagara Film Commissioner Tim Clark and Buffalo Film Office Director of Operations Rich Wall. The later awards were presented by Pat Kaufman, the retired New York State Film Commissioner. Paige K. Davis, Director of Business Development for Alternative Cinema, gave a seminar on DVD and VOD distribution for independent filmmakers.
Buffalo Dreams Fantastic Film Festival celebrates the best independent films in the categories of science fiction, fantasy, horror, action, thriller, animation and cult cinema. Over 30 filmmakers traveled to Buffalo for the event, which festival directors Gregory Lamberson and Chris Scioli cite as a measuring stick for success. Simon Pearce, director of the feature Judas Ghost (winner of the Best International Horror Feature Award) came all the way from the UK to answer questions from the audience. A benefit screening of Kaufman’s Return to Nuke ‘Em High Vol. 1, lensed in Niagara Falls, raised almost $3,000 for the Niagara Arts and Culture Center (NACC).
“We exceeded our expectations as far as attracting out of town filmmakers to Buffalo,” says Lamberson. “These are people who stayed in Buffalo hotels, enjoyed Buffalo restaurants, visited Niagara Falls, and supported each others’ film screenings. It was a great week for our festival launch, and a great week for Buffalo.”
On Wednesday, November 27th,at 7:00 pm, the Screening Room presents Don Thacker’s Motivational Growth (Best Cult Feature, Best Actor, Best Screenplay, Best Special Make-Up Effects), about sentient mold (voiced by Re-Animator’s Jeffrey Combs) that takes over the life of a depressed shut-in. The film has won awards at festivals around the country. At 9:30 pm, the German suspense film On Air (Best International Thriller, Best Directors), about a serial killer who calls in to a pirate radio station host, with dire consequences, is guaranteed to have viewers on the edge of their seats.
On Saturday, November 30th, Brendan Steere’s Animosity (Best Horror feature, best Actress Tracy Willet) screens at 7:00 pm. At 9:30 pm, the local short Broken Wings (Best Western New York Short, Best Action Short, Best Western New York Screenplay), which examines the nature of a mysterious pulp superhero, plays with Pearce’s Judas Ghost (Best International Horror Feature). Four more features will screen Friday, January 10th and Sunday, January 11th. Admission is only $7 per feature, or $10 per double feature.
Buffalo Dreams Fantastic Film Festival will re-open for submissions in December. Visit www.buffalodreamsfilmfest.com and www.screeningroom.net for details.
Nov 15, 2013
(November 15th, 2013) ALBANY – Can Buffalo become the Tinseltown of upstate? That’s the hope of local economic development officials after Gov. Andrew M. Cuomo late Wednesday night vetoed a bill that critics say would have watered down a tax credit passed just seven months ago to lure film production crews to economically battered communities like Buffalo.
By Thursday morning, Buffalo film officials were already talking about jump-starting efforts to spread the word about the tax credits available to the movie and television industries. The hope is to get them to come to the area for the financial benefits as well as the diverse visual backdrops of waterfronts, architecture and silos.
“I think this is probably one of the most lucrative places to now shoot in North America. I think we’ll see a lot of Canadian and East Coast and West Coast companies now looking at upstate New York,” said Tim Clark, commissioner of the Buffalo Niagara Film Commission, following the governor’s veto of the bill that would have extended the tax credits to Hudson Valley counties close to New York City.
“As they say in the film business, we’re ready to roll,” Clark added.
The benefits of films being shot in a community can be tangible.
Consider Malcolm D. Lee’s “Best Man Holiday,” which opens today. The Universal Pictures film was being shot in Toronto when location scouts called Buffalo film officials. They wanted to use Ralph Wilson Stadium as – Bills’ might take a deep breath here – the fictional home stadium of the New York Giants.
A film crew spent five days here in May, painted a Giants logo on The Ralph’s artificial turf, hired more than 1,500 local extras and spent money on everything from hotels to restaurant meals to new temporary signs placed around the stadium, jettisoning anything that might have suggested “Buffalo.”
In all, local officials were told the production spent $1.2 million in direct costs during the stay.
“It’s amazing the kind of money movies leave behind,” Clark said.
The vetoed legislation would have added 14 counties to the 40 counties previously approved for additional tax credits that could be offered to film companies making movies and television shows. The film companies would get an additional 10 percent New York State tax credit – beyond the 30 percent already offered – for certain “below the line’’ labor expenses, which cover camera crew, sound teams, carpenters, grips and gaffers, but not the salaries of directors, producers and actors.
The bill would have extended the tax credit to economically vibrant counties, such as Saratoga, as well as those close to New York City, such as Rockland and Putnam. And that additional credit, critics said, probably would have removed the advantage for the more distant and economically distressed communities like Buffalo, Rochester and Syracuse. Film companies would more likely shoot in the Hudson Valley counties so they could be closer to New York City.
Supporters of the bill said New York City already is where 90 percent of the state’s film industry tax credits are spent – out of a total of some $420 million a year – and that it was only fair to include more upstate counties in the tax break program.
“I am extremely disappointed that Governor Cuomo vetoed legislation I sponsored to expand the state’s film tax credit to the Capital Region and Hudson Valley. All parts of the state should be treated fairly and equally when it comes to offering this credit,” said State Sen. Hugh Farley, a Republican from the Schenectady area, where officials are hoping to lure a new movie production studio along the banks of the Mohawk River.
While the legislation passed overwhelmingly in June in both houses, Farley and Assembly sponsor Angelo Santabarbara are not planning to set off a war with Cuomo by seeking a veto override. Such a move would have to be done by the end of the year anyway, and neither house has plans to return until January.Instead, they plan to try to get the tax breaks expanded during next year’s budget talks. Cuomo left that opening in his veto message Thursday.
“It’s a question of putting certain counties at a disadvantage,” Santabarbara said of the veto, which that ensures the additional tax breaks go to counties only in Western, Central and Northern New York. “We’re trying to make sure we have the same opportunities as other counties.”
Critics, though, said the geographic expansion of the program would undermine the new initiative, especially by allowing so many counties close to New York City to get the additional tax break. In his veto message, Cuomo noted that he signed the state’s budget this year that included an additional 10 percent – atop the 30 percent already offered – tax credit for labor costs incurred by film companies doing work in 40 upstate counties.
In his veto message, Cuomo said the 14 counties that lawmakers were trying to add to the list already have an “established and robust film production industry by virtue of their proximity to New York City.”
The 40 counties he approved in March have “historically lagged” when it comes to film production, Cuomo said.
Cuomo also noted that extending the tax credits to 14 counties would have a fiscal impact on the state.
“Any such extension of the credit should be discussed in the context of the upcoming 2014-15 (state fiscal year) budget negotiations and not implemented in an ad hoc manner in isolation from budget discussions,” Cuomo wrote.
Clark said a movie producer called him just this week about shooting scenes for a film in the Buffalo area because he had heard the region was in the additional tax credit zone. Clark declined to elaborate, but he said the additional 10 percent credit – which does not kick in until January 2015 – will make marketing the region to film companies far easier, especially to those with budgets in the $3 million to $10 million range that operate on far tighter margins.
“We’ve been successful in attracting smaller-budget to middle-budget indies, often non-union. Those will benefit quite a bit from this. They’ll find us very quickly. I’m excited about this because this is something we can go and market the hell out of,” Clark said.
Movies like “Best Man Holiday” and “Tammy,” staring Susan Sarandon and Melissa McCarthy, which was shot in Niagara Falls over the summer and is due out next year, have come for specific location reasons and did not need the additional tax incentives.
But Clark envisions that more films with an actual Buffalo setting will come to Western New York if they can get an extra tax break from New York.
“They realized the cost to come to Buffalo was extraordinary,’’ Clark said of the producers of “Henry’s Crime.”
How much a movie company might save in taxes is uncertain, because the “below the line” costs can vary so much from film to film.
“These filmmakers see something in the architecture, the rhythm of Buffalo. They see it from an artistic expression standpoint. They see Buffalo for its uniqueness…. Now, if they can convince the investors and accountants, it levels the playing field for Buffalo,” Clark said.
“If you are on the fence over where to shoot, that extra 10 percent is going to make a difference and will make our region a lot more attractive,” added Nora Brown, executive director of the Rochester/Finger Lakes Film & Video Office.
email: tprecious@buffnews.com, by Tom Precious
(Pictured above- Ralph Wilson Stadium was transformed into Giants stadium for filming of a scene in “Best Man Holiday,” which opens today.)
